Prospectus for
"The Evolution of the Female Image in the Epic Tradition"
By Zina Lewis

dido18.jpg (12623 bytes) I have created this web page for my summer research project, which is sponsored by the ACM minority scholarship program.  My research project is to use the traditional rhetorical strategies and themes found in the classical epics of Homer, Apollonius of Rhodes, and Virgil and apply it to Dante, Milton and Pope in order to illustrate the evolution of the woman in epic poetry. The texts that will be used are Homer's Iliad and Odyssey, the Argonautica by Apollonius of Rhodes, the Aeneid of Virgil, the Divine Comedy by Dante, Spenser's Faerie Queene, Milton's Paradise Lost and The Rape of the Lock by Pope. The reason why I have chosen these particular texts is not only for the expanse of time they cover, but, also the influence of Homer's epics can be seen in all the epics chosen especially the Aeneid, while Apollonius' depiction of Medea is argued to be the base for Virgil's depiction of Dido in the Aeneid. Homer, Virgil and Dante are considered the three greatest epic poets so obviously it was necessary to include them. Dante's Divine Comedy foreshadows the humanism that is characteristic of the Renaissance specifically the combination of the secular and the sacred and the portrayal of Beatrice. Milton's Paradise Lost for its portrayal of Eve and the incorporation of the classical epic into an almost purely Christian context. Pope's mock epic The Rape of the Lock was chosen because of the close parodies with the Iliad, Aeneid and Paradise Lost and the role of Belinda.

Return to Epic Project