Women, Art and Feminism
ARTD306 - Fall Semester 2007
 
bulletClass Format
bulletReminders
 
bullet Grading and Evaluations
bulletExams
bullet Journals
bulletResearch Paper and Presentation
bullet Topic Justification
bulletBibliography
bullet Final Presentation and Written Paper
bullet Images for Presentation
bullet Writing suggestions
bullet Attendance and Discussion
bullet Web Resources
bullet Reading Calendar
(password protected)
 

 

Class Time: Tuesday and Thursday
9:30 a.m.-10:45 a.m.
Location: McMichael Academic - Room 107
Instructor: Cheryl L. Meeker, Professor of Art
Office Hours: Monday - Thursday
4:00 pm - 5:pm
or by appointment
Phone: office: 457-2364
home: 734-4609 (before 10:00 p.m.)
Email: cherylm@monm.edu
Required Texts: Broude, Norma and Mary D. Garrard (eds). The Power of Feminist Art: the American Movement of the 1970s, History and Impact. NY: Abrams, 1994. [ISBN 9-8109-2659-8]
  Chadwick, Whitney. Women, Art, and Society. 4th edition. London: Thames & Hudson, 2002. [ISBN 0-500-20393-8
  Guerrilla Girls, The Guerrilla Girls' Bedside Companion to the History of Western Art. NY: Penguin Group, 1998.[ISBN: 0-14-025997-X]
Recommended: Baumgardner, Jennifer and Amy Richards. Manifesta: young women, feminism, and the future. New York: Farrar, Straus and Giroux, 2000. [ISBN: 9-374-52622-2]

The course will involve discussion of the problems confronted when investigating some of the perplexing issues involved with women, art, and society.  Introduction of ideology will help the student understand the women’s movement in art from an historical art perspective..  Women’s art production from its earliest history into contemporary movements will be examined using slide lectures and texts.  Feminist Art Criticism and other defining essays on art will help us to situate feminist theory and critique of disciplinary factors in the construction of art historic writings, aesthetic readings, and women’s situations.

The course is also designed to satisfy one of three requirements; a) the Beauty and Meaning in Works of Art component of your general education; b) an elective in the Women’s Studies minor; or c) as a Department of Art elective.

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Class Format:

The class will begin by examining a couple of Chapters in Baumgardner and Richards’ text Manifesta: young women, feminism, and the future, followed by discussion about Feminism.  We will move to Chadwick’s text and throughout the course when appropriate include readings from Broude and Garrard’s text The Power of Feminist Art. Slides to illustrate artists and artistic concepts from the texts are shown accompanied by lecture.  We will have discussion sessions to explore issues raised from the readings.  It is expected you will read the materials and come to class prepared for the discussion.  I recommend you take detailed notes during class lectures of the material presented.  Take a few minutes before each class period to review the notes from the previous lecture/slide portion of the course.          Top
 

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Reminder:

My office time is your time; do stop by even if it is only to chat.  I look forward to working with you in the creation of your research papers, and in the discovery of new ideas and ways of seeing and experiencing art.  My door is always open when I am there.    Top
 

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Grading and Evaluations:

            The final grade in the course will consist of the following sections:    Top

I. Two - or more exams
(over images, texts, and assigned readings)
40%
II. Journals 15%
III. A research paper and presentation 30%
IV. Attendance and Discussion 15%

I.  Two - or more exams (over the texts and assigned readings-40%)

Exams will test your ability to recognize and analyze works of art.  Expect to take an exam at midterm and during the final exam period. They will cover images and ideas from the texts and any articles handed out in class.  The format for these exams may include one or more of the following: slide identification including compare and contrast, true and false questions, fill in the blank, short answer, multiple choice and essay questions.

For the slide identifications, you will be required to name the artist, the period, and the date of the works.  You will also be expected to comment on the significance of the work for women’s art history. The works you will be tested on may be found on this website.

Please remember that the art works we will be covering are complex and demand your attention for adequate preparation for class discussions or class examinations. Above all - do not miss your test.  This unfairly advantages the student who did not take the test at the appropriate time, consequently, no make-up is offered if you miss your test.   Top

II.  Journals (15%)

You will keep a journal in the class.  In the journal you will comment and critique the readings, as well as any other assignments in the course. The journal will be handed in approximately once a month for evaluation.     Top 

III.  A research paper and class presentation (30%)

Your research paper should examine a particular feminist artist or art historian who captures your interest. You will need to search and investigate multiple sources of information other than your personal knowledge, classroom discussions, or the textbooks assigned in the course.  You will want to try to find original monographs on the particular artist as well as scholarly critiques found on the work and your own reasoned opinion.  It is expected that you will support your opinions with those of scholars who have also written about the work.  Please remember our library might not have books on the artists you wish to research, and our slide library also might not have slides you may need to illustrate the finer points of your research. The papers will be presented the last few weeks of the course.  I suggest you use the Women Artists in the 20th and 21st Century [one of our textbooks] as a main resource for discovering artists. 

The following assignments (due dates are listed in the calendar) are added together for the grade: 1) topic justification  , 2) progress report including a bibliography, 3) the presentation-a fifteen to thirty minute oral presentation on the topic during a class period, and 4) the written paper-due on the day you present the paper.   Please keep the deadlines; chaos is the resulting problem when you believe you do not have to hold to deadlines.  Consequently, if you do not follow the deadlines your grade will be penalized.    Top 
 

Topic Justification:
This assignment is a one page topic justification that explores your topic for this paper and also include some of the beginning questions you hope to explore with the topic. Before you select a topic, do a literature search in the library and see how much information you can find on this particular artist/art historian/critic.  This is important as the person you select will be the focus of your research for the whole semester. At this time you will also give me the date (see below) you want to give your presentation to the class.   Top
 

Progress Report and Bibliography
For this report you will need to give me a summary of the progress of your research on your topic and a bibliography. The bibliography must have the entire list of sources you are using in your paper.  You must have at least 3 to 5 separate sources beyond your textbooks and any dictionary or encyclopedia you may discover.  I am not saying you cannot use these resources but, they should be considered course 'texts' and cannot count in the 3-5 separate sources.  The due date is such to keep you moving through the research effort.  I expect scholarly research for this paper.  Scholars in the field must write the sources.  Internet sources must be evaluated for scholarship or they will NOT be considered valid.  Without valid resources your research is not considered valid.  Make certain if you find yourself researching using Internet sources that you understand the intricacies of evaluation of web sources.  If you need some help with this, please ask.    Top
 

Final Presentation/and Written Paper:
Your written research paper is due the day you present.  This semester we will set aside time in the last two weeks of the course to present your research to the class.  The presentation is a main component of the course, so, plan well.  I'm always willing to help you think about how to be more prepared to stand in front of the room and talk to your colleagues so ask for help if you need it. I generally use PowerPoint presentation to deliver the images.  If you need help with that please ask me.  Top 

Slides for your presentation (if you need them):
Students find great resources for images on the www [see the resource lists].  If you cannot find your artist's works on-line and you have reproduction of the works we can scan them in the Mac Lab. However, this cannot be done overnight so, I will need at least two weeks advance notice to arrange for someone to help you with the scanner.     Top

 Writing Suggestions:
Effective writing depends as much on clarity and readability as on content.  Grammar and diction, usage and sentence structure are important considerations, as are the mechanics of writing/spelling, punctuation, capitalization, and so on.  Organization is particularly pertinent to clarity and readability.

Please remember you must fully document borrowed opinions or theories from your sources.  You may choose to repeat a statement from a given source word for word in your paper.   As a quotation, it will require an introduction and quotation marks.   If you choose to summarize,  paraphrase, or quote a statement in your work it will still be necessary for you to give credit to the author from whom you obtained the idea (e.g. a footnote).  You must give credit to authors for specific ideas and information you take from them.  Not to do so is to negate your own abilities.  The presentation of ideas and statements or theories of others as your own is plagiarism, and is unacceptable. A plagiarized paper means failure in the course along with other penalties (see the Scots’ Guide).

Your research paper is not a collection of theories or opinions given by experts in the field, but a carefully written presentation of your idea (or perhaps a series of ideas) that rely on other sources for verification, clarification, and strength.  Include your thesis statement toward the beginning of the paper, and a conclusion toward the end. 

I recommend The Bedford Handbook, by Diana Hacker or any writing handbook that has Chicago Style for students who have difficulty in formatting the research paper.  Use Chicago Style. 

You may also find Chicago style on-line at http://www.wisc.edu/writing/Handbook/DocChicago.html. Lastly, I am always willing to proof your efforts in advance, look at web sites for valid sources, and give general advice for this effort.  I do need a week to be able to give competent feedback on your writing.  My best advice to you is start early, hence the topic and bibliographic due dates.  This will help you understand your topic and it will advantage you later in the semester when you become busy with other courses.    Top 
 

IV. Attendance and Discussion: (15%)

Class attendance is highly significant and vital.  Absences can only hurt you and your grades.  Class participation in discussion, critique, evaluation, and debate is strongly recommended and encouraged.  The classroom is an open forum for discussion and sharing. Everyone is expected to participate.  For any problems you may have, whatever the nature, contact me immediately.  More than three unexcused absences will result in a lowering of your final grade in the course. Excused absences are listed in the Monmouth College Scot's Guide.   Top