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English 361: Shakespeare's Comedies and Histories

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      • Twelfth Night

      Midsummer Night's Dream  

      • The Taming of the Shrew

      • 1 Henry 4
      • 2 Henry 4
      • Measure for Measure
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Interpretation Through Film Assignment

 

Clips from 2008

 

Clips from 2007

 

Shakespeare creates complex, psychologically vibrant worlds through the words of his plays; ultimately, this is why he remains the Master of the Canon without question even four hundred years later.  He does this both by what he says about the characters--and by the gaps that remain.  I would argue that he is more interesting--and more like us and like the neighbor in the apartment down the hall--because of the gaps in our knowledge--and even, perhaps, the gaps in Iago's self-knowledge.

 

Theater productions and films are like written literary analyses except that they are holistic and global (they embody a vision of the entire text), which literary analyses are not required to be.  Directors of theater and film make choices large (how can the end of Taming of the Shrew make sense to modern readers?) and small (what does Bottom the ass look like?) that fit into their interpretation and understanding of them thematic issues and emphases in their vision of the play.  Every valuable interpretation takes what is on the page and breathes life into it whether it is on stage, on film, or on the page.

 

The midterm assignment has three components: filming (40%), writing (40%), and presenting (20%), and you will be working in groups for these assignments (although you can chose to work independently if you would like). You will be working in pairs on a scene or focus of your choice but you will be doing filming in groups of four: this will provide technical support for camera work and actors if you don't have others available.

 

Filming

Each pair of students will produce a three - five minute sketch inspired by either Twelfth Night, Midsummer Night's Dream, or The Taming of the Shrew. These sketches may be narrative but are not limited to narrative: imagistic sketches would be interesting as well.  For these sketches, you may

  • stage a brief, dense scene within the play (example: the discovery within Twelfth Night)

  • condense texts and/ or actions from several scenes to make a thematic focus (example: use lines from several scenes to compare and contrast Bianca and Katherine)

  • take a thematic focus and stage an interpretation of that theme (example: the origins of love in Midsummer Night's Dream)

While I appreciate and encourage creativity, remember that it is the relationship of your film to the text that is my concern and that will be the focus of your presentation, paper, and evaluation.

 

The mini DV cameras can be checked out (for 24 hours) from Professor Chris Goble, who will present on Adobe Premiere; they must be reserved through the schedule outside of the media lab. You will be required to work in the CATA lab at least once when there is a lab associate/ media tutor on duty. You may use i-Movie if you are familiar with it and with Macs if you do not need technical assistance. Ultimately, you must burn your sketch to CD-R using Adobe Media Encoder so that it can be played in class and posted to our website; I suggest that you keep an .AVI file for future editing.

 

Writing

While you will be filming in groups of four and editing in pairs, the writing component will be done individually.

 

The essay is, in effect, a  version of a promptbook, which is a copy of the script used by the stage management (stage manager, director)  in which staging choices (blocking, technical cues, etc) are explained.  These will create an interpretation of the text, and thus you should use specific direct quotations to show connections and interpretations of the text. For your essay, you will choose several major and several minor choices that work together to demonstrate your filmic interpretation of the scene or theme, and explain them and how they work the text.  The thesis for this essay will focus on the main interpretation of your sketch.  While you and your partner will be discussing the same sketch, your focus will be different in part and the writing is to be your own.

 

Speaking

You and your partner will show your sketch to the class and explain your interpretation and choices. The presentation should be roughly five to ten minutes and both members must participate in order to receive credit.  Explain WHY you did what you did. There will also be an opportunity for questions and I will ask at least one question about a choice that you made in the sketch.

 

What's Up

Sites of Interest

The New Globe

 

Luminarium.org: for all things Middle Ages through Restoration

 

 

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dot Monmouth College Marlo M. Belschner Copyright © 2006-2007 - All Rights Reserved